Basic Information
| Field | Details |
|---|---|
| Full Name | Ivette Eugenia Lipkies |
| Also Known As | Ivette “Goretti” Lipkies, Goretti |
| Nationality | Mexican |
| Occupations | Screenwriter, Producer, Actress |
| Active Years | 1980s–present |
| Parents | María Elena Velasco (La India María); Julián de Meriche (Vladimir Lipkies Chazan) |
| Siblings | Iván Lipkies (director/producer) |
| Notable Works | La hija de Moctezuma (2014) — co-writer, producer; El coyote emplumado (1983) — co-writer; Las delicias del poder (1998) — collaboration; Huapango (2002/2004) — co-writer (adaptation) |
| Social Presence | Instagram: @gorettilipkies |
| Known For | Collaborations on family productions anchored by La India María |
| Birthdate | Not publicly disclosed |
Roots and beginnings
Ivette Lipkies was born into a household where the stage was both workplace and playground. Her father, Julián de Meriche (born Vladimir Lipkies Chazan), arrived in Mexico with the discipline of a dancer and the flair of an actor-choreographer; her mother, María Elena Velasco—etched into popular memory as La India María—built one of Mexico’s most durable comic universes. Between rehearsals and script pages, Ivette absorbed the rhythms of creative work early, stepping behind and in front of cameras as needed.
As Ivette matured professionally, she carried forward that family rhythm—collaborating, adapting, shaping. Her name appears as Ivette “Goretti” Lipkies on film credits, a professional moniker that threads through her writing, producing, and occasional acting.
A family workshop of stories
Think of the Lipkies-Velasco home as a workshop where ideas were hammered into screenplays and refined on set. The family’s production efforts, especially from the 1980s onward, pulled together the distinct strengths of each member: María Elena’s character-driven comedy and social satire, Julián’s performance rigor, Iván’s direction—and Ivette’s writing and production acumen.
- Name usage: “Goretti” frequently appears as Ivette’s professional name, often in tandem as “Ivette ‘Goretti’ Lipkies.”
- Collaborative ethos: Family projects regularly feature multiple Lipkies/Velasco credits, particularly on scripts and production.
Timeline at a glance
| Year | Milestone |
|---|---|
| 1983 | Credited (as Goretti Lipkies) on writing for El coyote emplumado, an early collaborative screen effort tied to the La India María film cycle. |
| 1990s | Ongoing participation in family productions, building experience across writing and production departments. |
| 1998 | Involvement on Las delicias del poder, reflecting late-1990s collaboration across the family team. |
| 2002–2004 | Credited in the writing/adaptation process on Huapango (directed by Iván Lipkies), a contemporary reimagining that earned notice on the festival and awards circuit. |
| 2012–2014 | Script development and release of La hija de Moctezuma: Ivette credited as co-writer and producer; the film is directed by Iván and stars María Elena Velasco. |
| 2015–present | Following the passing of María Elena Velasco (May 1, 2015), retrospectives and interviews highlight Ivette’s role in the family’s body of work; she continues activity in theater and independent production. |
Selected works and roles
| Title | Year | Role(s) | Notes |
|---|---|---|---|
| El coyote emplumado | 1983 | Co-writer (credited as Goretti) | Part of the La India María film line; early writing collaboration. |
| Las delicias del poder | 1998 | Writing/production collaboration | Late-1990s family project centered on political satire. |
| Huapango | 2002/2004 | Co-writer (adaptation) | Directed by Iván Lipkies; adaptation work cited along with family collaborators. |
| La hija de Moctezuma | 2014 | Co-writer, Producer | Directed by Iván Lipkies; stars María Elena Velasco in one of her final screen roles. |
This list captures the projects where Ivette’s participation has been publicly noted, and it showcases her progression from early co-writing into producing responsibilities by 2014.
Style, themes, and the family imprint
Across these works, one finds a consistent through-line: humor with bite and heart. The films often center on everyday characters thrust into overblown bureaucratic or political situations, allowing satire to bloom within familiar domestic or rural settings. Ivette’s contributions support this balance—structuring stories, smoothing production paths, and ensuring that the comedic timing of La India María’s world lands cleanly on screen.
Family collaboration brings resilience and continuity. The daughter of a Russian-born performer and a Mexican comedic icon, Ivette stands at a crossroads of traditions—discipline joined to improvisational spark. Her work helps bind those traditions into scripts that feel both classic and contemporary, reflecting Mexico’s evolving cultural textures.
After 2015: remembrance, resilience, and presence
The death of María Elena Velasco in 2015 turned public attention toward the family’s multi-decade creative output. In memorials and profiles, Ivette is consistently mentioned as a daughter and creative collaborator. The family’s archive of stories—produced over more than 30 years—remains a touchstone for audiences revisiting La India María’s enduring appeal.
In recent years, Ivette has kept a professional presence through selective theater and independent production activity. Her social posts (notably via the handle @gorettilipkies) offer glimpses of ongoing creative work, community involvement, and occasional nods to the family’s cinematic past.
Why Ivette Lipkies matters
Not every artist’s contribution is measured in marquee lights. Some are the architects behind the scenes, moving stories from draft to set to screen. Ivette’s career illustrates that kind of authorship: part scribe, part producer, part performer—always a collaborator. Within a celebrated family, she is one of the steady hands guiding ideas into finished films, especially evident in the capstone project La hija de Moctezuma (2014).
Quick family map
| Person | Role | Relationship to Ivette |
|---|---|---|
| María Elena Velasco (La India María) | Comedian, actress, producer | Mother |
| Julián de Meriche (Vladimir Lipkies Chazan) | Actor, dancer, choreographer | Father |
| Iván Lipkies | Director, producer | Brother |
Name variations and credits
- Credit lines may read Ivette Lipkies, Ivette “Goretti” Lipkies, or simply Goretti.
- When searching credits, check all variants to capture her full filmography.
What’s known—and what isn’t
Public profiles confirm Ivette’s roles and family ties, but detailed private information such as her full birthdate or personal finances is not widely disclosed. As with many behind-the-scenes creatives, the work speaks loudest: dates, credits, and on-screen results.
FAQ
Who are Ivette Lipkies’s parents?
Her parents are the actress-comedian María Elena Velasco (La India María) and the actor-choreographer Julián de Meriche (born Vladimir Lipkies Chazan).
Is Ivette Lipkies the same person as “Goretti” Lipkies?
Yes; “Goretti” is a professional name she uses, and many credits list her as Ivette “Goretti” Lipkies.
What is Ivette Lipkies best known for?
She is best known for co-writing and producing La hija de Moctezuma (2014) and for long-running collaborations on family film projects.
Did Ivette work on Huapango?
Yes; she is credited with co-writing (adaptation) on Huapango (released 2002/2004).
What about Las delicias del poder and El coyote emplumado?
She has collaborative credits connected to both, including co-writing on El coyote emplumado (1983).
Does Ivette Lipkies act as well as write and produce?
Yes; she has performed on screen while primarily focusing on writing and production.
Is her birthdate publicly available?
No; her exact birthdate has not been broadly published.
Where can I find Ivette online?
She maintains a professional presence on Instagram under the handle @gorettilipkies.
Is there reliable information about her net worth?
No; personal financial details have not been publicly substantiated.
What ties Ivette’s work to La India María’s films?
She contributes to scripts and production on projects anchored by María Elena Velasco’s characters and comedic style, helping carry the tradition forward.
